One of our favorites out right now is “Ansel Adams: Classic Images” at Robert Mann Gallery. Presenting some of both Adams' best-known photographs as well as stellar lesser-seen works—including several vintage prints dating back to the artist's very early career in the 1920s—this collection by the legendary photographer spans the grand scope of his Western landscapes.
One of our favorites, Kent Fine Art opens it’s fall season with FLEX, curated by Orlando Tirado. The exhibition explores shape, mass, and form of the body in relation to an emerging queer, transgender, renegade post-minimalist strategy that strips the body of its flesh, framework, and constraints.
We, The Outsiders brings together works by an international quartet of artists, and will be on view through October 31. It’s an art exhibition that explores several perplexing questions: “Can it be said that art has a consciousness of its own? And if such a consciousness were independent of us, where would it place us in relation to itself?” The exhibition revolves around a gigantic egg—which probes, like the classic chicken-and-the-egg conundrum where consciousness begins and ends when it comes to art.
KITEYA is known for featuring items that demonstrate the craftsmanship, aesthetic, and artistry of both traditional and modern Japanese culture. Their latest exhibit, featuring the calligraphy works of Yasuko Kuboyama, is no exception. Born in Fukuoka, Japan, Ms. Kuboyama has made a name for herself with her bold, creative calligraphy and large-scale works. The exhibit (September 28 - October 27) will kick off with a special reception on October 1st at 5pm, featuring a raffle, a calligraphy performance by Yasuko Kuboyama, and refreshments by Sennari, Sanseido Honpo, and Ureshi no Cha.
Over the past three years a small community of introspective frontier feminists have been gathering on intensive retreats to discuss and dissect the tenets of what it means to be a modern feminist. Presented by The Hole, “Future Feminism” is an exhibition collectively realized by Antony, Kembra Pfahler, Johanna Constantine, Bianca Casady and Sierra Casady. It realizes their reflective journeys into 13 tenets, articulating their meditations on modern feminist thinking. (Running September 11—27, 2014)
Out of approximately five hundred submissions from talented, unaffiliated artists in all the boroughs, Denise Bibro Fine Art narrowed the pool to eighty artists. Subsequently, they pounded the pavement and visited studios in Williamsburg, by the water in Redhook, the old Army Terminal in Gowanus, Bedford-Stuyvesant, Long Island City, Harlem, Inwood, and the Lower East Side (just to name a few), and finally selected fifty three artists. These fifty-plus artists’ works are diverse in mediums, aesthetics, and content.
An exhibition of new work by Elizabeth Glaessner, the artist’s first solo exhibition in New York City is on view through August 15th at the PPOW Gallery. Glaessner’s paintings take elements from traditional history painting and re-contextualize them in a distinctly intimate and otherworldly voice. An exploration of memory, personal history and ritual, Glaessner’s work questions the way in which we relate to and envision our past. Her most recent paintings depict a highly detailed mythology of post-human existence on earth that features anthropomorphic, gelatinous figures in familiar, yet toxic, landscapes.
This weekend make a pilgrimage to “Build a City of Poems: An Interactive Exhibition of Poetry and Art" created by downtown elementary school students and murals from the Community Word Project. Visitors of all ages are invited to come out to Governors Island to contribute their own drawings and poetry, filling in the outline of a gigantic cityscape mural created by artist Felipe Galindo.
Come see what the Union Jack does in the land of Stars and Stripes! "A Bit of Brit" at the Westbeth Gallery is an exhibition of 9 British artists in New York, that includes sculptors, painters, photographers and textile artists, all provocatively experienced in their creative fields.
Originally scheduled to show in Rome in 2013, Si, quiero was prevented from being displayed when the Vatican threatened legal action. The Installation in the Window Gallery at the Leslie-Lohman Museum of Gay and Lesbian Art recreates Orquin’s photographs featuring same-sex couples kissing in Italian churches and is on view from the Museum’s street level Window Gallery 24 hours-a-day. Through June 24th.